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[music]

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Hello.

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Hello.

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[music]

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I don't I don't think I don't think so.

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I don't I'm not sure.

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>> It's fine. So, I have a few hours to

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figure it out.

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As soon as you can I can check cuz it's

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roughly the same hallway shape.

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So, it might it might actually be

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>> I know. We can check.

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10 minutes since I've seen an electrical

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look over there.

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Any lights or switches or signs?

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Anything back there?

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>> No, not what I'm seeing.

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That's just across the way.

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It's more of the same.

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Whoa. Huh?

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>> Huh?

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>> What? What's up?

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>> Uh, come back, guys. Go ahead. Come and

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take a look at this.

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>> It's not that purple table again, is it?

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I hate that table.

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>> That was a desk, not a table.

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>> Yeah. Well,

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>> it's not a table. Look at this. Look at

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this.

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>> Wa.

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>> What the

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>> is it? It's signs. It's uh it's got

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writing. It's got what is it? Everything

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must go. Uh is it entire store on sale?

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This is new. Right. This is this is a

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new structure, right?

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This is looking at

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the [clears throat]

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W. This is brilliant. Look at Look at

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how it's intersecting.

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Oh This is brilliant.

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Oh, this is

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I looked over everything from the day

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and obviously the the signs were really

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treated as the highlight. Um and Dr.

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McCarthy in particular was was eager to

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see them in person. He uh would of

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course end up accompanying us in the

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place of Dr. Ring. The following

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morning, uh, June 19th at around 11:00,

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we assembled our mobile toolkit and

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entered the complex. It was a slow start

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as it was our intention to make it to

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the new outpost following our return to

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the sign room. And uh, Narin had had to

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gather some startup prerequisite

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materials for a few of the machines,

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which which he carried with him

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throughout the duration of our

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exploration.

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So upon arrival, no meaningful change in

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the room uh or the science was apparent.

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And our our general overall focus was

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really on the instancing question or or

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rather I I'd say the question of whether

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or not a meaningful relationship existed

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between the [music] three structures.

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All right.

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Quarter short test walk through. Just

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stay out of my way if you can. Sure.

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No, that's right.

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You see it kind of goes straight through

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the material

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there and there. No one's going into the

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frame.

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This is obviously intersecting with the

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carpet

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which is supported by

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cement or concrete or

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it's pretty stuck in there. You yank on

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it doesn't do much.

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It'll crease or or probably tear easily.

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But um it's the same same with this one.

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The smaller they are, the thinner they

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are. So, we're being careful not to

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disturb the material.

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At at a glance, there's what appears to

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be a a clear sequence taking place

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across the room where where scale and

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height are are both decreasing as they

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near the back wall. So, firstly, we did

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what we could to measure all three signs

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corner to corner.

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Sign one came in at 1.44. 44 by 1.44 m.

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Uh hanging clear of the floor. Uh lowest

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corner about.3 m up. Sign 2 was uh 1.13

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uh by 1.13 proportional. Uh those are

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above uh those are the above floor

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dimensions. Uh the 1.13 vertical figure

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was measured along the the sign's upper

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edge on the side that remains clear of

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the floor. That number may or may not

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reflect the sign's true uh full height.

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uh we are unable to gauge how much if

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anything continued below the surface.

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Sign 3 had a width of 66 m. Uh we have

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no reliable height figure as as just

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under half the structure was submerged

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and we had no way to determine the true

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vertical extent without uh destructive

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investigation we weren't prepared to

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perform at that stage. The spacing

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between signs 1 and 2 was 3.47 m between

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2 and 3 uh 3.26 26 m. Width was uh the

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only dimension we could take reliably

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across all three. So that's what we

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worked with. Uh the consecutive ratios

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were 785 and.584.

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So no constant multiplicative

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relationship. The arithmetic differences

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were were.31 and47 m also not equal and

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increasing rather than decreasing. So no

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constant difference either. Uh the

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spacing ratio was 3.26 over 3.47. So 94

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was close enough to suggest some

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regularity, but but we couldn't say

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whether it's related to the scale

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progression or coincidental at that

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sample size. Uh Ronald spent some time

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with the data while Naron and I moved on

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to the Matcom survey. We took a sample

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from each sign corugated polyropylene uh

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substrate throughout. So, uh, the

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surface ink appeared to be screen

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printed. All pretty consistent from what

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I understand with standard retail

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production. Uh, the the hanging wire was

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steel. Uh, so so across the board really

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uh nothing abnormal to note, at least

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nothing we found with the equipment that

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we had on hand. We then made a

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horizontal cut along the floor plane at

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the base of sign 2, uh, freeing the

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upper portion. What remained in the

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floor was a flush silhouette of the

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science continuing material visible at

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the surface level with with the the the

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the ground material, the carpet and the

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concrete. Probing it, the m the material

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becomes indistinguishable from the

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concrete itself within uh about a

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centimeter of the surface. Whatever

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whatever the transition looks like below

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that point, we we couldn't determine

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with what we had. Uh the question we

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were ultimately working through at that

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point was whether the three signs were

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instances of the same structure or or

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independent objects that that happened

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to share a manufactured design. Uh a

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shared design would would mean the print

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the the text layout the the color all

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reproducible from a template and not

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particularly novel. um what we were

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looking for and and found quite quickly

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were features a template couldn't

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account for. Every physical object is

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going to accumulate microscale

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imperfections, [music] minor surface

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scratches, tooling marks, small

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inconsistencies in the substrate where

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the extrusion process wasn't uniform.

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So, we found that the same micro

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imperfections appeared across all three

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signs at proportional positions,

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indicating that they weren't printed

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from the same template, but were

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instances of the same physical object.

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We had just about packed everything up

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[music] in time to move along. When Dr.

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McCarthy. Uh well, he went and retrieved

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a power saw from our cart, seeking to

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dissect a portion of the back wall. He

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reasoned that given the visible trend

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line and an average spacing between

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signs, it wasn't out of the question

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that a fourth sign may sit just inside

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or beyond the wall.

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>> I don't have a good grip on it. Do you

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got it?

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>> There we go. It's about There we go. All

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right. Grab that top.

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So, slowly dropping much.

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>> Great. Great.

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>> Not really anything, is it?

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>> Yes. Right there. Right there.

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>> What? What? Really?

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>> No way. [laughter]

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No way.

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>> I told you.

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>> That's great.

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>> I told you. There it is. Okay. It's the

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elevator then cuz cuz this is down below

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the So, just be barely above the carpet.

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>> All right. Well, let me get the uh get

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out of the way. Move. Get the camera in

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there. All right. Wow. Would you get out

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of the way? Get out of the light.

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>> Sure.

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>> Okay. Okay.

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>> All right. Wow.

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Okay. Oh, this one's quite a bit smaller

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than the other ones.

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Behind schedule. Let's just come back

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and take a sample on the next trip. Just

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let me have this. Give it 5 minutes. I'm

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not going to take a sample now anyway.

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I'm just just want to see is the width.

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Yeah, it is. Yeah, look at that.

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>> What the is that?

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>> Wait, what? What? What? What's

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>> there? Right there. What the is

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that?

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>> What?

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>> Get the Get the Okay, just get the

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>> What is it? What is I I can't see

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anything. What is it? What are you

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seeing?

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>> Uh

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oh.

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>> What is it?

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>> Nope. Nope. Nope. No. No. No. That's a

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hand. That's That's a hand.

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>> Okay. All right. So, uh we're late. So,

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let's go. Let's go. Let's go to the

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outpost. We can circle back uh with the

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others and then

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hold on. We're trying to look at this.

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Okay.

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>> We're like 20 minutes behind. Okay. We

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have to keep moving.

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We can circle back with the others. Just

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drop off our stuff and then we can come

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back with like 5, 10, 20 people.

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This is stupid. You know this is stupid,

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right? Ninja's not going to care how

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late we are. This is This is worth

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doing.

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Okay,

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>> we just didn't lock this. This isn't on

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the box.

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>> You're locking it now. Look, you're

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recording.

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>> Oh, yeah. I guess I'm vlogging it now,

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but

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I can't see

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What the was that? Is that son or

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Jesus?

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>> What was that?

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>> Okay. Oh my god. All right. Well, that's

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uh All right. Yeah. Okay. That's a It's

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a mannequin.

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>> So, it's it's a mannequin. It's like a

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It's like a mannequin and a a steering

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wheel. Like what? Like a ship steering

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wheel, though.

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It feels more like um

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feels different here. Um

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>> Yeah, I know what you mean. Did you get

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the signs show?

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>> Yeah, more signs.

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It looks like pretty much the same

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scale.

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00:12:43,200 --> 00:12:43,760
Actually, might be [clears throat]

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00:12:43,760 --> 00:12:47,160
slightly smaller.

277
00:12:47,680 --> 00:12:50,000
or is it like

278
00:12:50,000 --> 00:12:53,800
the sequence back to

279
00:12:54,320 --> 00:12:56,240
there's a few more signs over here the

280
00:12:56,240 --> 00:12:58,320
same

281
00:12:58,320 --> 00:13:00,880
wants to go where it's going to go

282
00:13:00,880 --> 00:13:04,160
what's I'm really wondering

283
00:13:04,160 --> 00:13:06,240
obviously

284
00:13:06,240 --> 00:13:09,360
>> and we see these uh previously coat

285
00:13:09,360 --> 00:13:13,399
hangers um

286
00:13:14,480 --> 00:13:20,040
>> look like boxes or Um,

287
00:13:20,320 --> 00:13:23,440
it's clothing or fabric. I can't tell.

288
00:13:23,440 --> 00:13:26,440
Um,

289
00:13:29,120 --> 00:13:31,200
you guys done over in that area. There's

290
00:13:31,200 --> 00:13:32,480
nothing. There's nothing more back

291
00:13:32,480 --> 00:13:33,600
there.

292
00:13:33,600 --> 00:13:36,839
>> Yeah, it's

293
00:13:37,440 --> 00:13:41,160
>> Maybe we can use those.

294
00:13:42,160 --> 00:13:42,320
Is

295
00:13:42,320 --> 00:13:43,760
>> that lawn furniture? Yeah,

296
00:13:43,760 --> 00:13:44,959
>> that's like

297
00:13:44,959 --> 00:13:49,279
>> there's like some lawn furniture and um

298
00:13:49,279 --> 00:13:51,040
>> Yeah,

299
00:13:51,040 --> 00:13:53,040
there's like a

300
00:13:53,040 --> 00:13:54,800
>> whole bunch of new rooms over there,

301
00:13:54,800 --> 00:13:55,920
guys.

302
00:13:55,920 --> 00:13:57,040
>> Yeah, right.

303
00:13:57,040 --> 00:13:59,040
>> I don't I feel like we should be going

304
00:13:59,040 --> 00:14:01,519
back now, right?

305
00:14:01,519 --> 00:14:05,040
>> This is like This is like This is easy.

306
00:14:05,040 --> 00:14:06,000
>> Yeah, I'm just trying to keep an

307
00:14:06,000 --> 00:14:10,320
inventory. There's like more to

308
00:14:10,320 --> 00:14:13,040
>> What the is that sound?

309
00:14:13,040 --> 00:14:14,000
Do you hear that?

310
00:14:14,000 --> 00:14:17,680
>> Yeah. Yeah, I heard that.

311
00:14:17,680 --> 00:14:18,800
>> Let's go check it out.

312
00:14:18,800 --> 00:14:20,639
>> Ron, I don't really want to check it out

313
00:14:20,639 --> 00:14:22,160
if I'm being honest.

314
00:14:22,160 --> 00:14:23,760
>> But look look, you can see there's a

315
00:14:23,760 --> 00:14:25,199
light up there. You see that? What is

316
00:14:25,199 --> 00:14:25,920
that?

317
00:14:25,920 --> 00:14:28,079
>> Yeah, but it's it's obviously a light,

318
00:14:28,079 --> 00:14:28,959
man. I don't know.

319
00:14:28,959 --> 00:14:30,320
>> But if this isn't conflated at all, we

320
00:14:30,320 --> 00:14:31,120
can go right back.

321
00:14:31,120 --> 00:14:33,040
>> I know, Ron. [music] I know. I just I

322
00:14:33,040 --> 00:14:33,360
don't think

323
00:14:33,360 --> 00:14:36,639
>> there's another one.

324
00:14:36,639 --> 00:14:38,079
You should check the scale.

325
00:14:38,079 --> 00:14:39,040
is that?

326
00:14:39,040 --> 00:14:40,480
>> The scale will be different with the

327
00:14:40,480 --> 00:14:41,440
science.

328
00:14:41,440 --> 00:14:42,880
>> Yeah. Well, that Well, that we can do

329
00:14:42,880 --> 00:14:45,625
next time. [clears throat]

330
00:14:48,160 --> 00:14:51,279
>> Mom, can you stay with us, please?

331
00:14:51,279 --> 00:14:53,199
>> Cuz it's dark and

332
00:14:53,199 --> 00:14:58,240
>> Yeah. Sorry. It's just a It's a

333
00:14:58,240 --> 00:15:01,880
TV.

334
00:15:03,199 --> 00:15:06,000
Oh my god.

335
00:15:06,000 --> 00:15:07,279
This just keeps getting better and

336
00:15:07,279 --> 00:15:10,515
better. [music]

337
00:15:34,160 --> 00:15:37,279
What was that sound?

338
00:15:37,279 --> 00:15:41,160
What was that sound?

339
00:15:42,000 --> 00:15:45,040
Guys, we have to go. Let's just go.

340
00:15:45,040 --> 00:15:46,959
I don't know.

341
00:15:46,959 --> 00:15:52,000
It's coming from above. Careful. Is it

342
00:15:52,000 --> 00:15:53,360
coming from above? Just be quiet.

343
00:15:53,360 --> 00:15:56,720
>> I don't really care, man. Jesus. What

344
00:15:56,720 --> 00:15:59,641
the [music]